Comparing the Tzolkin (Mayan Sacred Calendar) Acoustic Translations with the sound of Solar Wind
(A casual, albeit profound revelation.)


Millennia ago, the Maya demonstrated an excellence in astronomy and galactic perception that we have still not acheived as a modern, technological culture. Among many things that were just rediscovered in the 20th century, they perceived an harmonic pattern in stars that they purported to be expressive of a Logic propagating the emanation of Divine Consciousness via electromagnetic radiation through the entire universe. They embodied this pattern in their Sacred Calendar, the "Tzolkin." It is binary, in base 20, perfectly symmetrical and, according to the Maya, it applies to all levels of existence. Mathematically, as a binary code, it has been called "perfect." One of the first questions that comes to mind is, "How did a stone age people with no telescopes or spectrometers nor any of the technological advances of even the ancient Chinese - [they never even came to such a basic understanding as the wheel] - acquire such astronomical astuteness and perceive such a thing?"

Perhaps they could
hear the solar winds.

"Say WHAT!?"

There are stories about the Maya being descendents of persons who mastered sailing galactic currents, particularly between the earth and the Pleiades. If that's a fact, perhaps some of them possessed an inherent sensitivity to star light that enabled them to hear solar winds.

Check this out:

When I was 8 years old, I looked up at the stars one night and I could hear them. It wasn't music as I knew it, already being a musician of several years.
I had an immediate longing for it and a desire to share it with the world, yet not even words in my vocabulary to describe what I heard. Effectively, that desire was fulfilled in 1987 when, a couple of months before the Harmonic Convergence, (having received just the right input from Dr. Jose Argüelles [i.e. his books Earth Ascending and The Mayan Factor...], Foster Perry and Barbara Hero), I began producing acoustic translations of the Mayan Sacred Calendar, the "Tzolkin." As I progressed from the initial elementary to more complex translations thereof, and from very slow to extremely accelerated tempos, (circa18 bpm to 720 bpm and even 1040-2080 bpm), I began to hear what reminded me [from past lives in other star systems] of the Music of solar winds. I would tell some of my friends this [minus the past lives part] and they would give me that "YYYeeahhh. RIGHT! How would YOU know" look. Last week, these many years later, I had the casual thought of searching the Internet for recordings of actual solar wind and I found one at a NASA web site; http://www.nasa.gov/vision/universe/solarsystem/voyager-sound.html . I had no idea NASA would both prove the fact of my words to my friends and confirm the fulfillment of my childhood quest.

NASA's solar wind sample was taken by the Voyager spacecraft over a period of three hours. To present the entire recording more effectively, NASA compressed those three hours down to 6 seconds. First, I downloaded the sample and used a Goldwave audio editor to stretch it to three minutes, without changing the pitch. Then, I listened. With the full audio spectrum, including the low frequencies, it was deliciously haunting. However, what struck me immediately was the fact that, above the low frequencies was the clear sound of an array of tones, very akin to the sonically translated Tzolkin. Next, I ran the sample through the editor's highpass filter, slicing off everything below 2.6 Khz, an arbitrary number chosen on the basis of "26" being a fundamental number in the Tzolkin's mathematics. When I listened, it almost sounded as though I was in my studio listening to the raw data from one of my very complex Tzolkin translations, "ReBirth," (from which my product "BrainGain" is gleaned),  plus a shower of additional "general" harmonics.

To share my experience with you, I have extracted 33 seconds from each recording, the raw and "cleaned", 3-minute NASA solar wind sample and the BrainGain segment of ReBirth. Other than just stripping the low frequencies from the cleaned sample and using the editor's "Equal Loudness" EQ setting, (so all frequencies are heard at the same level), the file has not been processed in any way; you can still hear the artifacts [pops and clicks] inherent to the original recording. (For better comparison, I have sped up the Tzolkin translation 2x. I prefer listening to the translations at this and higher tempos, but I've been told by everyone else who listens to them at these tempos that the faster speeds are "way too intense", thus I lower them for consumer preferences. Lowered, the tones are more differentiated, although they also sound coarser to me. Nonetheless, they are dynamically effective at any tempo.) Have a listen and compare. Clearly, (albeit the Tzolkin sample is a subset of a larger celestial harmonic array [produced via computers expressing sine waves of the
Tzolkin's 13 fundamental frequencies] and NASA's is the full celestial harmonic array), they sound undeniably similar.

Warning: Persons who are hypersensitive to high frequency sounds are wisest not to listen to this.


A. The Solar Wind @ speed*; raw, all frequencies, no EQ.

B. The Solar Wind @ speed* (2.6Khz+), EQ'd, all below 2.6Khz cutoff, compared to
C. Tzolkin: BrainGain (ReBirth) @ 2x normal speed.



Playing around

A smooth blend of A and C: Twilight-Full; EQ'd - all frequencies at same level. 
And an equal amount of B and C: Twilight-2.6KhzCutoff


The solar wind samples are in the public domain.
* The velocity of the solar wind heard is approximately
64 times [6400%] greater than that of the original Voyager recording.
The wind velocity of NASA's file (above) is circa 2028x greater than the original recording.

(Tzolkin samples copyright by de Cygne; all rights reserved.
They may be privately shared, but NOT for any commercial purpose,
nor via other web sites [excepting links to this page], nor p2p networks, whatsoever.)

So, returning to my suggestion, perhaps there were individuals among the Maya who possessed a direct connection between soma and psyche enabling them to "translate" starlight into sound, as I experienced back on that freezing Minnesota winter night. If so, perhaps they were able to hear the harmonic overtones relative to our solar cycles [days] and others amidst the overall harmonic spectrum of galactic stellar wind. In turn, recognizing the cyclical appearance of 13 particular overtones "coincidentally" corresponding to visible celestial cycles, they were able to contruct a practical Model of the progressions, intersections and synchronizations of these cycles. Perhaps they were able to master the harmony of these cycles, thereby mastering Time as a "keyboard", or more importantly, mastering the harmonic Key within Time unlocking the Vault of Universal Consciousness and Be-ing. Hmmmm. Could make a somewhat decent B-rated Hollywood movie, or it could be possible. (I was told one of the reasons the Tzolkin translations came through me is because I have genes from those who manifested it before. On a cellular memory level, it's a straight shot from them to me. Possibly, my genetic ancestors started the process many years before with that "quickening" and, in due time, all I had to do was to have my lens pointed in the right direction and to open my aperture to the Collective Unconsious widely enough to have the information come through, [which was greatly facilitated by my mother's attunement and the hour of my birth, initially, and by Barbara's tutelage and Foster's attendance, in that "due time" thereafter.] From my perspective, this is all certainly plausible.) And, not too immediately, the scientist in me looks for archeological and anthropological proof.

Either way, plausible, preposterous or just something to chew some movie popcorn over, I present this not as a scientist, but as a philosopher, making an effort to give the scientists enough data to raise their "Hmmm...", perhaps enough to pursue the plausibilities, possibilities and probabilities of my suggestion being fact. Certainly, this experiment offers very strong evidence toward validation of the ancient Maya's claim that the Tzolkin is an universal Code born of the Divine and transmitted by starlight (and, eventually, via the biophotons of our DNA and RNA.) And, whatever may be determined along those courses, the closet thing I can play for you representing the star Music I heard then and have heard (not always, though) many times since is the full recording of solar wind above. (But, It is more beautiful than haunting.)

(My friends, here's my response to that "YYYeeahhh. RIGHT! How?" look. It's sa-tis-fying to give you my "Up yours!" like this; particularly because I know that, having waited to do so this way, I am upping your consciouness of the unity of all that is - as I told you, we come from stars, we ride star currents, we are star Music. :D - Now, enjoy sharing this "I told you so"!)

(Thanks, NASA!)


~ ~ ~ ~ ~ ~ ~ ~ ~


DarkMother.com provides Tzolkin acoustic translations for cognitive and consciousness enhancement. Those translations are similar in operation to Hemi-Sync, HoloSync and other binaural beat related cognitive enhancement technologies, however, they are structurally much more dynamic and the frequencies used in those products are not specifically based on where our planet and bodies originate; star light. As a result, our Ascension line of cognitive enhancement products are far more effective than those other products for many people.

Simply using terrestrial technology to harness and channel extraterrestrial and interdimensional Music, and presenting it through the
Ascension series for the benefit of the planet and all humankind, I invite you partake of the blessings I have prepared for you thereby. If you are seeking a dynamically healing stimulus for neuronal and brain dysfunctional, use the source from which our cells originate; the stars. To hear the Tzolkin translations in our Ascension line is to hear (and to be enabled to apply) star light for your personal enhancement, specifically the sonic translations of the harmonic patterns of star light engendering optimal consciousness and physiological balance and health. The Tzolkin's glyphs represent the vital information embedded within the light of specific star cycles stimulating/activating areas of Universal Consciousness and holistic health within the individual during the course of one's or a nation's lifetime. Accordingly, the Tzolkin translations are that vital information, condensed. Essentially, just as NASA compressed three hours into 6 seconds, so I sequence the Tzolkin's harmonic Code as It is expressed via the tones of star cycle synchronizations spanning thousands of years, sometimes millions of years, into minutes; all that galactic, life generating, positively psychoactive information "bottled" in sequences such as those in Ascension. On the deepest levels, the body and brain recognizes what is heard and know how to put it to use. I've done my work, rendering the translations; all you have to do is use them. :)

Love, Light and blessings of enduring health and well being to you!

© Michaele Alyras de Cygne
Art of Pop
May 31, 2008



Revised: 2009.06.07