Comparing the Tzolkin (Mayan Sacred
Calendar) Acoustic Translations with the sound of Solar Winds
[A casual, abeit profound
revelation.]
Millennia ago,
the
Maya
demonstrated an excellence in astronomy and galactic perception that we
have still not acheived as a modern, technological culture. Among many
things that were just rediscovered in the 20th century, they perceived
an harmonic pattern in stars that they purported to be expressive of a
Logic propagating the emanation of Divine Consciousness via
electromagnetic radiation through the entire universe. They embodied
this pattern in their Sacred Calendar, the "Tzolkin." It is binary, in
base 20, perfectly symmetrical and, according to the Maya, it applies
to all levels of existence. Mathematically, as a binary code, it has
been called "perfect." One of the first questions that comes to mind
is, "How did a stone age people with no telescopes or spectrometers nor
any of the technological advances of even the ancient Chinese - [they
never even came to such a basic understanding as the wheel] - acquire
such astronomical astuteness and perceive such a thing?"
Perhaps they could hear
the solar winds.
"Say WHAT!?"
There are
stories
about the Maya being descendents of persons who mastered sailing
galactic currents, particularly between the earth and the Pleiades. If
that's a fact, perhaps some of them possessed an inherent sensitivity
to star light that enabled them to hear solar winds.
Check this out:
When
I was 8 years old, I looked up at the stars one night and I could hear
them. It wasn't music as I knew it, already being a musician of several
years. I
had an immediate longing for it and a desire to share it with the
world, yet not
even words in my vocabulary to describe what I heard. Effectively, that
desire was fulfilled in 1987 when, a couple of months before the Harmonic
Convergence,
(having received just the
right input from Dr. Jose
Argüelles [i.e. his
books Earth Ascending and The
Mayan Factor...], Foster
Perry
and Barbara Hero),
I began
producing acoustic
translations of the Mayan Sacred Calendar, the "Tzolkin." As I
progressed from the initial elementary to more complex translations thereof, and from very
slow to
extremely accelerated tempos,
(circa18 bpm to 720 bpm and even 1040-2080 bpm - [ooooo-oo-oo-oo... THAT's a RUSH, if you
can handle it!!]), I began to hear what
reminded me [from past lives in other star systems] of solar winds. I
would
tell some of my friends this [minus the past lives part] and they would
give me that "YYYeeahhh.
RIGHT! How would YOU know" look. Last week, these many years later, I
had the
casual thought of searching the Internet for recordings of actual solar
wind
and I found one at a NASA web site; http://www.nasa.gov/vision/universe/solarsystem/voyager-sound.html
The samples were taken by
the Voyager spacecraft over a period of three hours. To present the
entire recording more effectively, NASA compressed those three hours
down to 6 seconds. First,
I downloaded the
sample and stretched it to three minutes, without changing the pitch.
Then, I listened.
With the full audio spectrum, including the low frequencies, it was
deliciously haunting. However, what struck me immediately was the fact
that, above the low frequencies was the clear sound of an array of
tones, very akin to the
sonically translated Tzolkin. Next, I ran the sample through an
highpass filter, effectively slicing off everything below 2.6 Khz, an
arbitrary number chosen on the basis of "26" being a fundamental number
in the Tzolkin's mathematics. When I listened, it almost sounded as
though I was in my studio listening to the raw data from one of my very
complex Tzolkin translations, "ReBirth,"
(from
which my product
"BrainGain"
is
gleaned), plus a shower of additional "general" harmonics.
To share my
experience
with
you, I have extracted 33
seconds from each recording, the raw and "cleaned", 3-minute NASA solar wind sample and the BrainGain
segment of ReBirth. Other than just stripping the low
frequencies from the cleaned sample, the file has not been processed in
any way; you can still hear the artifacts [pops and clicks] inherent to
the orignal recording. (For
better comparison, I have sped up the Tzolkin
translation 2x. I prefer listening to the translations at this and
higher tempos, but I've been told by everyone else who listens to them
at these tempos that the faster speeds are "way too intense", thus I
lower them for consumer preferences. Lowered, the tones are more
differentiated, although they also sound coarser to me.
Nonetheless, they are dynamically effective at any tempo.) Have a
listen and compare. Clearly, (albeit the Tzolkin sample is subset of a
larger celestial harmonic
array produced via computers expressing sine waves of the
specific 13
frequencies underlying the Tzolkin and NASA's is the full celestial harmonic
array), they sound
undeniably similar.
Warning:
Persons who are hypersensitive to high frequency sounds are wisest not
to listen to this.
A.
The
Solar Wind @ speed, with
low frequencies.
B. The
Solar Wind @ speed, without
low frequencies compared to C. Tzolkin:
BrainGain (ReBirth) @ 2x normal speed.
And an equal amount of B and C: Twilight
The solar wind samples are in the public domain.
(Tzolkin samples copyright by de Cygne; all rights reserved.
They may be privately shared, but NOT for any commercial purpose,
nor via other web sites [other than links
to this page], nor p2p networks, whatsoever.)
So, returning to my suggestion, perhaps there were individuals among the Maya who possessed a direct connection between soma and psyche enabling them to "translate" starlight into music, as I experienced back on that freezing Minnesota winter night. If so, perhaps they were able to hear the harmonic overtones relative to our solar cycles [days] and others amidst the overall harmonic spectrum of galactic solar wind. In turn, recognizing the cyclical appearance of 13 particular overtones "coincidentally" corresponding to visible celestial cycles, they were able to contruct a practical Model of the progressions, intersections and synchronizations of these cycles. Perhaps they were able to master the harmony of these cycles, thereby mastering Time as a "keyboard", or more importantly, mastering the harmonic Key within Time unlocking the Vault of Universal Consciousness and Be-ing. Hmmmm. Could make a somewhat decent B-rated Hollywood movie, or it could be possible. (I was told one of the reasons the Tzolkin translations came through me is because I have genes from those who manifested it before. On a cellular memory level, it's a straight shot from them to me. Possibly, my genetic ancestors started the process many years before with that "quickening" and, in time, all I had to do was to have my lens pointed in the right direction and to open my aperture to the Collective Unconsious widely enough to have the information come through, [which was greatly facilitated by my mother's attunement and the hour of my birth, initially, and by Barbara's tutelage and Foster's attendance, in that "due time" thereafter.]) From my perspective, this is all certainly plausible. And, not too immediately, the scientist in me looks for archeological and anthropological proof.
Either way, plausible, preposterous or at least something to chew some movie popcorn over, I present this philosophically, making an effort to give the scientists enough data to raise their "Hmmm..." perhaps enough to pursue the plausibilities, possibilities and probabilities of my suggestion being fact. And, whatever may be determined along those courses, the closet thing I can play for you representing the Music I heard then and have heard (not always, though) many times since is this full recording of solar wind below. (But, it is more beautiful than it is haunting, more articulated; closer to the Tzolkin and a blend of the two - though unlike my sonic play "Twilight", more angelic, same stuff/material, different bandwidth, more mmmmm... .)
(My friends, here's
my
response to that "YYYeeahhh.
RIGHT!" look. It's sa-tis-fying to give you my "Up yours!" like this;
particularly because I know that, having waited to do so this way, I am
upping your consciouness of the unity of all that is - as I told you,
we come from stars, we ride star currents, we are star Music. :D - Now, enjoy this "I told
you so"!)
(Thanks, NASA!)
~
~ ~ ~ ~ ~ ~ ~ ~
DarkMother.com provides
Tzolkin acoustic translations for cognitive and consciousness
enhancement. Those translations are similar in operation to Hemi-Sync,
HoloSync and other binaural beat related cognitive enhancement
technologies, however, they are structurally much more dynamic and
the frequencies used in those products are not specifically based
on where our planet and bodies originate;
star light. As a result, our Ascension line of cognitive enhancement products are far more effective than
those other products for many people.
Simply using terrestrial technology to harness and channel
extraterrestrial and
interdimensional Music, and presenting it through the Ascension series
for the benefit of the planet and all humankind, I invite you partake
of the blessings I have prepared for you thereby. If you are seeking a
dynamically healing stimulus for neuronal and brain dysfunctional, use
the source from which our cells originate; the stars. To hear the
Tzolkin translations in our Ascension line is to hear (and to be enabled to
apply) star light for your personal enhancement,
specifically the sonic translations of the harmonic patterns of star
light engendering optimal
consciousness
and physiological balance and health. I've done my work, rendering
the translations; all you have to do is use them.
Love, Light and blessings of enduring
health
and well being to you!
Michaele Alyras
de
Cygne
de Cygne Music
Group
May 31, 2008
:)
Having just half watched a preview of
Martin Scorcese's Rolling
Stones film, I have to say, "Mick Jagger, no-body moves his skinny ass
like you!"
[Thanks for not
gathering moss guys! ...Now, (rock stars), listen to some real starlight. :D ]
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